Sarah Garcia conquered the hearts of the public with his characteristic character of granny and how affectionate she could be on stage, however, behind the scenes she was a woman with a strong personalityto the point where he did not allow one of his colleagues to continue sharing credits with her, because on one occasion they got involved in a discussion because of the way he was preparing her for her character, since it had also been her makeup artist.
During the Golden era of Mexican cinema Sara García became the Granny from Mexico for the countless times she played her famous role as an older woman, even when she was still young.
Due to this, throughout her career she needed to be characterized as an older adult, with completely white hair and some wrinkles, which always meant putting on a wig or painting her hair, in addition to spending several hours retouching her makeup.
One of her makeup artists was Dolores Camarillo, Fraustitea woman from Potosí who, in addition to having prepared the beauty trade, was also an actress and participated in several films with Mario Moreno CantinflasJorge Negrete, the Soler brothers, among other stars of the time.
Although she did develop as a secondary actress, she was more successful as a makeup artist, even, she would have worked in more than 60 productions as part of the personification of her fellow actors.
It would have been during one of the many films in which Sara García acted, in the mid-1950s, that she clashed with Camarillo, who was in charge of doing her makeup. And it is that for many years before, more than a decade, the Granny from Mexico would have been arranged by his partner and, even, shared credits in there is the detail either The grandmotherbut Dolores would have broken with the fellowship.
While Fraustite was doing her job on Sara’s face, the latter began to feel jerks and on the skin, as if the make-up artist was being very abrupt when applying paint. With his characteristic personality, Garcia immediately let Dolores know that I was hurting herthat he should be more careful.
Camarillo’s response was immediate, because he didn’t stop to see her movements, he only told her that she was very delicate.
Sara got up from her seat and wished that her partner was joking, but she realized that she had been sincere and she watched her for a long time, waiting for an answer. Sorry. Not receiving her and only seeing the smile that Dolores gave her, supposedly she would have slapped.
The Granny from Mexico He left the dressing room and went to the production of the film to ask them to change the makeup artist. In addition to this, she did not allow Dolores to be in the films in which she acted from then on, either as an actress or as a makeup artist.
Much was said about this discussion, some claimed that Camarillo was a person It is difficult to treat since his fame had risen when it began to have more relevance in the world of cinema already on screen, which is why it would have had problems with other of her companions, although there were no more actors who publicly complained about her. She also preponderated the rumor that Dolores was taking revenge for the supposed envy that she felt.
Despite this, Fraustite she was still considered one of the most important make-up artists of the Golden Age, arranging Javier Solis, Carmine Rose, Andres Soler, White Estela Pons, German Valdes Tin Tan either Joaquin Pardave.
In addition, her career as an actress did not stop there either, since she even participated in several soap operas such as Ruby (1968), A woman Y Amalia Batista.