The camera photos of the Xiaomi 13 Ultra have been presented

With the exception of disrespectful exceptions, excellent assembly quality, top hardware speed, long-lasting operating time and 5G data communication are not a question of a top mobile these days, so a significant part of our readers are mostly interested in photo-video capabilities.

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Unfortunately, Xiaomi doesn’t bring everything with the suffix Ultra to Hungary every year, so after the Mi 11 Ultra we had no luck with the 12S Ultra, but the 13 Ultra has a better chance of appearing here, and the manager responsible for mobile products of the manufacturer proves with pictures that it is worth waiting for.


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Cici Lao Wei was also kind enough to provide the images with EXIF ​​information and, of course, the Leica and Xiaomi watermarks, so that a lot can be revealed about the parameters of the cameras. For example, the main unit packs a 23 mm and f/1.9 aperture lens in front of the almost certainly 1″ giant sensor, after all, 12S Ultra did the same, and of course optical image stabilization will also be provided.

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The ultra-wide camera hasn’t paid its respects on Weibo yet, but it’s unlikely to be worse than the 12S’s 1/2″ 48-megapixel 13mm unit with a 128-degree field of view and super-macro capabilities. Instead, it looks like a second zoom camera, as some examples were made with a focal length of 75 mm and an aperture of f/1.8, which represents a 3.26x magnification compared to the main camera.


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Finally, the 120 mm periscope telephoto lens cannot be missed either, which takes over the 5x (5.2x to be exact) magnification from the 12S Ultra, but uses much brighter, f/3 optics, which makes the night recordings can also benefit. In addition, the predecessor also had a 48-megapixel sensor with a quad-Bayer filter and 4:1 pixel binning, so multi-element processing can also bring the top quality.


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This is all well and good, as Leica’s filters can add to great photos, but Xiaomi has a serious debt that it is time to pay off: the front panel recording limit of 1080p 30 fps should be increased to 4K 60 fps, with professional motion compensation, not only on the back knowledge is important.

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