‘Spider-Man: Crossing the Multiverse’: An even more risky visual challenge that highlights live action superheroes

After the success of Spider-Man: A New Universe, Oscar winner for Best Animated Film in 2019, sony he couldn’t resist the idea of ​​creating a franchise. again with Phil Lord and Chris Miller as producers and screenwriters, but with Joaquim Dos Santos, Kemp Powers and Justin K Thompson replacing Bob Persichetti, Peter Ramsey and rodney rothmann as directors, Spider-Man: Crossing the Multiverse arrives to break another record for alternative versions of our friend and neighbor.

Again betting on a groundbreaking audiovisual style, and with miles morales and the spider version of Gwen Stacy taking over from the usual Peter Parker, the film takes on the challenge of overcoming a predecessor that left us giddy by pushing the limits of what seems possible in superhero cinema.

‘Spider-Man: Crossing the Multiverse’: Criticism


We all know the story: this is how Gwen Stacy (the quintessential Marvel death) reminds us in the first minutes of Spider-Man: Crossing the Multiverse. In the same way as Grant Morrison four cartoons were enough for him to tell us everything about the Man of Steel in his All Star Superman, the sequel to Spider-Man: A New Universe Bet on a few phrases and a drum solo (there you go Damien Chazelle) to distill the essence of our friend and neighbor.

Radioactive spider, traumatic loss, great power, great responsibility: that the elements brought into play by Stan Lee and steve ditko continue to generate loads of profits today is memorable in itself, but most shocking of all is that they are also tools with which to challenge what seems possible in superhero cinema.

As in its predecessor, this break is, first of all, visual. The fact that the change in directors has barely affected that dizzying kaleidoscope that fills the screen from the first second of projection reveals that here they are Phil Lord and Chris Miller those who rule the cotarro. Which strives to be even more intense, more varied and more frantic than in the previous installment, to extremes that can put your retinas to the test if you aspire to capture every last one. easter egg. And there are quite a few.

But there is more. There is much more, actually. Just because a new universe Using this visual sprawl as a metaphor for the universality of the ‘Spidey’ mythos (one in essence, but many in person), this film dares to challenge the very concept of the costumed hero to extremes that reinforce highly coveted intellectual property… but they also question it.

Now that superhero films are increasingly in the grip of the cliché (if you doubt it, take a look at the latest titles in the MCU), crossing the multiverse questions the requirements of such clichés and, to top it off, also the necessary but hateful origin stories that grind us down every time a new character hits the screen. It is no coincidence that “keep the canon” be keywords in your script.

The soundtrack that reverberates at full blast, the references that vindicate the language of comics (including supporting texts) and an atmosphere that continues to depart from slapstick, but which also makes more space than ever for tragedy, are other tools in this metafictional game about which even the characters themselves joke.

Tools that also claim the power of animation as a natural space for icons whose origin was on paper and ink. Perhaps, in the future, a live-action superhero movie will be allowed to bet on a similar daring. But that, when you think about it, is too good to be true.

‘Spider-Man: Crossing the Multiverse’: synopsis

Having assumed the identity of Spider-Man and meeting other alter egos of the wall-crawling superhero from Marvel, Miles Morales has to get used to the idea that, as far as the other arachnids of the different alternative dimensions are concerned, he is a mindundi with little merit to enter the ranks of the Spider Society, the league that brings together the different versions of the superhero.

However, the appearance of Stain, a villain capable of opening dimensional portals, the problems that spider gwen dragged on his home world and certain details associated with maintaining order in the multiverse will send Miles on a journey he never dreamed of… and put his family in danger like never before.

‘Spider-Man: Crossing the Multiverse’: release date and duration

Spider-Man: Crossing the Multiverse will hit theaters on June 2nd. The film will last 140 minutes.

‘Spider-Man: Crossing the Multiverse’: directors

Joaquim Dos Santos, Kemp Powers and Justin K Thompson, Those responsible for this film are very veteran professionals in the field of animation. The first has signed episodes of series such as D.C. Showcase and Avatar: The Legend of Korra, while Powers was behind Soul for pixar and Thompson has been featured as a production designer and animator on such titles as A rain of meatballs

‘Spider-Man: Crossing the Multiverse’: cast

In addition to Shameik Moore lending his voice in VO to Miles Morales and Hailee Steinfeld doing the same with Spider-Gwen, the tape presents Jason Schwarzmann like stain, oscar isaac as Spider-Man 2099, Daniel Kaluuya as Spider-Punk, Issa Rae as Spider-Woman, Andy Samberg as scarlet spider and Daniel Kaluya as Spider-Punk.

Luna Lauren Velez (Rio Morales), Bryan Tyree Henry (Jefferson Davis), Shea Wingham (Captain Stacy) and Amandla Stenberg (Spider-Byte) are other talents that contribute their voices to the original version of the film.

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